victoria
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For those of us who write, it is necessary to scrutinize not only the truth
of what we speak, but the truth of that language by which we speak it. For
others, it is to share and spread also those words that are meaningful to
us. But primarily for us all, it is necessary to teach by living and speaking those truths which we believe
and know beyond understanding. Because in this way alone we can survive,
by taking part in a process of life that is creative and continuing, that
is growth.
—Audre Lorde, The Transformation of Silence
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PUBLICATIONS
2009 "Ordination as Equals: Can Thai Theravada nuns and Roman Catholic women priests shatter the clerical glass ceiling? "
Tricycle: The Buddhist Review, summer issue
Read Article
2008 “Crossroads: Women Priests in the Roman Catholic Church” in FEMINIST THEOLOGY, Sage Publications, September
Read Article
2007 “The Differences Among Us” New Women
New Church, Fall; Women’s Ordination Conference
2005 ACTING RELIGIOUS:THEATRE AS PEDAGOGY IN RELIGIOUS
STUDIES, Pilgrim Press
2004 Feminist Theatre. IN ENCYCLOPEDIA OF AMERICAN RELGIONS
AND CULTURE, ABC-CLIO
2003 “Bodied Knowledge: Theatre as a Pedagogical Tool.”
IN ARTS, The Arts in Religious and Theological Studies, volume 15.1 published
by United Theological Seminary of the Twin Cities
2003 “Acting Religious:Theatre as Pedagogy in Teaching
Religious Studies” Council of Societies for the Study of Religion Bulletin
, volume 32, number 3, September Issue2002 Acting Religious: Theatre as a Pedagogical
Tool for Religious Studies. IN RELIGIOUS STUDIES NEWS, published by
the American Academy of Religion, March
2002 A Critical Mass: Enacting the Future . IN OPEN HAND:
An Interfaith Magazine, published by the Presbyterian Church1997 Putting
Flesh on the Bones of God. IN SEMEIA : Biblical Glamour and Hollywood Glitz
edited by Alice Bach
1996 A Journal of Departure and Return. Can We Ask You Anything?In
the Court of Women. IN Journal of Women and Religion: Bringing Beijing Home
co-edited with Sheri Hostetler, volume 14, Winter
1996 CancerBodies: Building Community Through Feminist Theatre
and Spirituality. IN Expanding Circles: Women, Art and Community, edited
by Betty Ann Brown, Midmarch Arts Press, New York
1996 Introduction to Canyon Sam’s Play ‘The Dissident.’
IN Amazon All-Stars: New Lesbian Plays, Applause Books, NY
1992 A Feminist Process in Theology and Theatre. IN Journal
of Women and Religion, volume 11, Winter